Since you already have everything lossless, it doesn't really make much difference. I would do them at 128 or 160, and then re-do any at a higher bitrate if you can hear artifacts on those tracks ...

Before I started editing Streaming Media, I wrote for a magazine called EMedia, which covered the optical disc industry. That magazine is long gone, but one of the central points of its coverage ...

Following the model established by Netflix in December 2015, Jan Ozer argues against content providers applying a standard encoding ladder to all of their content because of the inefficiencies and ...

Now that we've looked at how to playback HEVC-encoded files, it's time to create them. There are a whole collection of tools and utilities that can encode HEVC, but in this article I'm going to focus ...

Bitmovin has introduced Smart Chunking to its VoD Encoder in order to increase the quality and turnaround times with split and stitch. According to the company, the new functionality optimises chunk ...

I have a TV channel that runs at 720/60fps progressive. Much of the content is 24fps sourced, so I usually do an Inverse Telecine (IVTC) to get get back to 24 FPS, when I compress for storage. Just ...

The story of compression in live broadcast production is a long, complex and ongoing one. But a new white paper from Sony Group company Nevion, entitled Video Encoding in Live Broadcast Production, ...